- Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
 - Museums - Kate Peters
Natural products reference collection in the Department of Conservation and Scientific Research at the British Museum. - Museums - Kate Peters
Tracey Sweek, Stone Conservator, Department of Conservation and Scientific Research, British Museum. - Museums - Kate Peters
Stone Studio, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters
Facsimile Studio. World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters
Wet room, World Conservation and Exhibition Centre.  A specially designated area for carrying out washing and other wet treatments. - Museums - Kate Peters
A late fifteenth century Venetian turquoise glass goblet and a seventeenth century Bohemian opal glass beaker and cover in one of the science laboratories in the Dept of Conservation and Scientific Research, British Museum - Museums - Kate Peters
Storage cabinet, Organic Conservation Studio, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters
Painted Limoges enamel tazza, attributed to Jean de Court, dated c. 1560, with its X-radiograph displayed on the light box behind
revealing details about its construction. - Museums - Kate Peters
Facsimile Studio. World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters
Weston Archaeology Conservation Suite, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters
 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

 - Museums - Kate Peters

Natural products reference collection in the Department of Conservation and Scientific Research at the British Museum. - Museums - Kate Peters

Natural products reference collection in the Department of Conservation and Scientific Research at the British Museum.

Tracey Sweek, Stone Conservator, Department of Conservation and Scientific Research, British Museum. - Museums - Kate Peters

Tracey Sweek, Stone Conservator, Department of Conservation and Scientific Research, British Museum.

Stone Studio, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters

Stone Studio, World Conservation and Exhibition Centre, British Museum.

Facsimile Studio. World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters

Facsimile Studio. World Conservation and Exhibition Centre, British Museum.

Wet room, World Conservation and Exhibition Centre.  A specially designated area for carrying out washing and other wet treatments. - Museums - Kate Peters

Wet room, World Conservation and Exhibition Centre. A specially designated area for carrying out washing and other wet treatments.

A late fifteenth century Venetian turquoise glass goblet and a seventeenth century Bohemian opal glass beaker and cover in one of the science laboratories in the Dept of Conservation and Scientific Research, British Museum - Museums - Kate Peters

A late fifteenth century Venetian turquoise glass goblet and a seventeenth century Bohemian opal glass beaker and cover in one of the science laboratories in the Dept of Conservation and Scientific Research, British Museum

Storage cabinet, Organic Conservation Studio, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters

Storage cabinet, Organic Conservation Studio, World Conservation and Exhibition Centre, British Museum.

Painted Limoges enamel tazza, attributed to Jean de Court, dated c. 1560, with its X-radiograph displayed on the light box behind
revealing details about its construction. - Museums - Kate Peters

Painted Limoges enamel tazza, attributed to Jean de Court, dated c. 1560, with its X-radiograph displayed on the light box behind revealing details about its construction.

Facsimile Studio. World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters

Facsimile Studio. World Conservation and Exhibition Centre, British Museum.

Weston Archaeology Conservation Suite, World Conservation and Exhibition Centre, British Museum. - Museums - Kate Peters

Weston Archaeology Conservation Suite, World Conservation and Exhibition Centre, British Museum.